items in cart, view bag

Richard Lane (1933-2004)

Biography

Richard Lane

On September 3, 2004, a police patrol intercepted a convertible Ford Mustang that was zigzagging out of control.

Richard Lane had just left Cape Cod, where he spent his summers composing, and suffered a stroke while driving back to his home in Paterson, New Jersey. He was urgently taken to Newark University Hospital, but nine days later, he passed away, leaving behind a rich legacy of over 500 unpublished works.

An unexpected gift

A few months after Lane’s death, Demothenes Dimitrakoulakos, Lane’s former student, at the time stationed in Wiesbaden, Germany with the US Army Band, discovered that he was the legal heir of Lane’s complete musical work. With the first opportunity, he flew to Paterson to take possession of the manuscripts. While visiting Lane’s house, which had been uninhabited for several months, it was evident that the house had been burglarized.

The manuscripts lay in chaos all over the place but were now finally saved from most probable destruction. It was then that Dimitrakoulakos vowed to create a detailed works catalogue, discovering more than 500 works of various difficulty levels and instrumentations, including the piano sonatas, true masterpieces that showcase all the talent and originality of Richard Lane.

In 2006, composer Joseph Turrin, also a former student of Lane’s, coincidently drew the attention of Editions Bim to Richard Lane’s music.

The ambitious project of publishing all these unknown musical treasures was born.

Richard Bamford Lane

Richard Bamford Lane (1933, Paterson, New Jersey, USA) began learning the piano by himself at the age of seven. From 1945 to 1951 his parents offered him private lessons with renowned pianist Isadore Freeman, who was an active chamber musician with members of the New York Philharmonic. Thanks to him, Lane’s exceptional musical talent quickly blossomed. At eighteen, Lane received a full scholarship (piano and composition) to attend the Eastman School of Music in Rochester (NY), where he completed his academic studies in 1956, graduating with a masters in music. During this time, he composed many works for his friends, peers and professionals.

The Ford Foundation

When the Ford Foundation launched its Young Composers Project in 1959, Lane was one of the 12 young artists selected to breathe new life into the public school music system in different US states with new musical works. Lane’s creativity was strongly stimulating and many beautiful works were born during this period.

At the age of 28, Richard Lane returned permanently to his hometown of Paterson NJ, where he earned his living giving private music lessons and performing as a pianist.

Lane composed tirelessly and dedicated his works to his young and older students, to famous performers, chamber ensembles, choirs, wind bands and orchestras. His catalogue of works grew, although he showed no interest in publishing them. Lane’s music, subtly American, is part of the historical line inherited from the great masters of music for six centuries, to whom he makes delicate allusions here and there.

Works

Audio

The Magician’s Shoes A Musical Fable
for woodwind quintet, piano and narrator

The Magician's Shoes

Suite
for 3 viole d’amore

I. Andante
II. Moderato
III. Andante
IV. Allegro risoluto
V. Allegretto

Song and Dance DD274
for viola and piano

Song & Dance

Sonata 1
for violin and piano

I. Allegro moderato
II. Adagio
III. Allegro molto

Concert Music
for 2 violas and piano

Concert Music

Trio
for viola, cello and piano

I. Allegro non troppo
II. Largo
III. Allegro molto

Sonata
for alto saxophone and piano

I. Moderato
II. Largo
III. Allegro Vivace

This Particular Spring
for violin and piano

This Particular Spring

Serenade
for violin and piano

Serenade

Summer Song
for violin and piano

Summer Song

Suite N° 1
for piano

I. Polichinelle
II. Nocturne
III. Berceuse
IV. Waltz
V. Epilogue

Sonata
for oboe and piano

I. Allegro non troppo
II. Andante
III. Allegro vivace

Piano Sonata 1
for piano

I. Allegro molto
II. Lento
III. Presto

Piano Sonata 2
for piano

I. Adagio ma non troppo
II. Andante religioso
III. Allegro molto

Piano Sonata 3
for piano

I. Allegro molto
II. Adagio molto espressivo
III. Allegro e vivace

Piano Sonata 4
for piano

I. Allegro molto
II. Adagio
III. Presto

Dommage à Bach
for flute and string quartet

Dommage à Bach

Trio
for violin, horn in F and piano

I. Allegro non troppo
II. Adagio
III. Allegro molto

Suite “A Study in Summer”
for alto saxophone and piano

I. A Study in Summer
II. A Song of the Hill
III. Interlude
IV. Evening Blues
V. Finale

Souvenir
for flute and organ

Souvenir

Song for Rachel
for flute and piano

Song for Rachel

Song
for cornet (trumpet) and strings

Song

Song
for cornet (trumpet) and piano

Song

Sonatina No. 2
for trumpet and piano

I. Allegro
II. Adagio
III. Molto allegro

Quasimodal Suite
for 2 alto saxophones

I. BACH:US
II. Uno Duo
III. Papa Razzi
IV. Boozy Floozy Blues
V. Nicht Nacht
VI. Space Race

Nocturne
for viola and piano

Nocturne

Nocturne
for alto saxophone and string orchestra

Nocturne with piano
Nocturne with strings

Introduction and Allegro
for english horn and piano

Introduction & Allegro

Caprice
for flute and piano

Caprice

Aria
for flute and piano

Aria

4 Duos
for 2 violas

I. Moderato
II. Allegro semplice
III. Allegretto
IV. Allegro deciso

14 Easy Pieces
for piano

Song For Carolyn
The Clown
Pedal
Song For Jeffery